was texas chain saw massacre a snuff film

The result was The Texas Chainsaw Massacre, a film whose very title has become America’s cultural shorthand for perversity, moral decline, and especially the corruption of children. Using $60,000 raised by an Austin politician, he filmed mostly in and around an old Victorian house in Round Rock with a crew that used exactly two vehicles-a Chevy van for the film equipment and a broken-down 1964 Dodge Travco motor home for the actors’ dressing rooms. Read Next: How ‘Leaving Cheyenne’ Became a Miserable MovieĪnd the chicken-stealing hippie? He ambled back to Austin and, even before Lovin’ Molly was released, completed the most financially successful film in the history of Texas, a film that is still shown in almost every country of the world and whose innovations have continued to influence the horror genre for the past thirty years.

The interloper held a plastic plate with two barbecued chicken wings on it. Friedman walked over and blocked his way. On a certain day, the production broke for lunch, and the movie’s proud papa, producer Steve Friedman, noticed a scruffy, long-haired hippie making his way through the food line.

And each day a wagon train of private Winnebagos, Cinemobiles, catering trucks, and Greyhound buses would fan out around Bastrop for the filming of yet another McMurtry novel, Leaving Cheyenne. The prestige project settled in at the Chariot Inn, where Danner had a permanent sign on her door-“Quiet! Mother and Baby Sleeping”-to protect the weeks-old Gwyneth Paltrow. More than thirty years ago the collective might of Columbia Pictures descended on Austin with one of that studio’s blue-ribbon, A-team moviemaking armies: Blythe Danner, Anthony Perkins, Beau Bridges, a hot director named Sidney Lumet, an ingenue named Susan Sarandon, and the same producer who had already made small-town Texas a bankable commodity with the adaptation of Larry McMurtry’s The Last Picture Show.

Was texas chain saw massacre a snuff film